Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

Thursday, February 13, 2014

Tim's Vermeer, believing isn't seeing

A good rule of thumb may be to critique only the things that one respects.  However, this can't always be the case ... when one doesn't believe the hype, such as the hype of Tim's Vermeer (2013) directed by Teller: sonyclassics.com/timsvermeer/

                                   Tim Jenison's copy of Johannes Vermeer's The Music Lesson.

One can agree or disagree with the unraveling of the so-called mystery of Vermeer, that he used a sort of camera obscura.  Man or machine etc, the implications are pretty hackneyed.  I can admire Jenison's perfectionism but it's not carried over into the painting itself.  Look closely, it's not all that remarkable, flat, a bit "high school" as they say ... nothing 'gainst high school students because some of them are great artists.  Jenison doesn't have formal training, but the excuse undercuts the premise.  The result's mediocre even with "cheating," far from a Vermeer or good photorealism for that matter.  Technology just doesn't replace talent, which's another kind of eye, another kind of vision.  


Sunday, March 13, 2011

some interesting exhibitions: Gottfried Helnwein, Franz Xaver Messerschmidt, Walter Martin & Paloma Munoz, etc

The Disasters of War 10, 2007.  Oil and acrylic on canvas.
Sacramento: There's a major exhibition at Crocker Art Museum of Gottfried Helnwein's works, Gottfried Helnwein: Inferno of the Innocents, January 29, 2011-April 24, 2011. 

Beautiful Victim I, 1974.  Watercolor on cardboard.
Untitled, 1996.  Oil and acrylic on canvas.
Untitled, 1998.  Oil and acrylic on canvas.
Oath, 2000.  Oil and acrylic on canvas.
For me, I'm not sure if Helnwein's images are really all that challenging, whether they rely more on ready-made referentiality as controversially evocative legerdemain or if that's exactly the profundity itself.  In any case, his works are impressive and well-done.  Above link to more works and info at his website.


The Yawner, 1771-83.  Tin cast.
Paris: Neue Galerie, NYC recently had the first exhibition dedicated to Franz Xaver Messerschmidt which in collaboration travels to the Louvre, January 28, 2011-April 25, 2011.  A catalogue is also available. 

Messerschmidt would be considered a schizophrenic these days, which led him to work on his famous character heads often modeled from himself. 

Above link to helpful website on Messerschmidt.


From Travelers, 2001-2010.  C-print.
http://www.lsa.umich.edu/humin/events
Ann Arbor: Check out the exhibition at Institute for the Humanities at the University of Michigan featuring some of Walter Martin & Paloma Munoz's supermundane snow globes and photography, White Nights, January 24, 2011-March 16, 2011.  Another exhibition at Bellevue Arts Museum, Travelers: Objects of Dream and Revelation, August 26, 2011-December 31, 2011.

The Orchard at Night, from Islands, 2005.  C-print.
More images and info at their website.

A recent book, Travelers (Aperture, 2008).  It's ok, but could've been better produced imho. 
You can get your own snow globe for $750 USD, three to choose from, each with a limited edition of 250.  Some may have sold out. 


Kinder!, 2006.  C-print.
NYC: There's still some time to go, but this forthcoming exhibition at Museum of Arts and Design is going to be awesome, Otherworldly: Optical Delusions and Small Realities, June 7, 2011-September 18, 2011.  C'mon, it's really cool miniature stuff!!!
Brancusi 1928, 2003.  Digital print.
Bureau de Sigmund Freud, 2002.  Mixed media.
Included in the exhibition are work(s) by Martin & Munoz as well as by other faves Joe Fig and the amazing Charles Matton and Alan Wolfson.

Dwellings, 1981.  Mixed media. 
Whitney Museum of American Art, NYC
Also, it's a chance to rediscover the works of Charles Simonds, some of the greatest site-specific pieces, mindfully sequestered. 

Saturday, March 12, 2011

Jan Brueghel the Elder paintings

The Sermon on the Mount, 1598.  Oil on copper.
When I do go to the damn Getty Center, I first head to my favorite painting there which for some reason is Jan Brueghel the Elder's The Sermon on the Mount (1598).  Credit goes to my friend Elliot, who told me about it as he sometimes does.  It shows meticulously marvelous technique.  Ya gotta see this small painting up close 'n' personal, perhaps with a magnifying glass, all those finely delineated little people, trees, etc.  It's very much like an enameled "jewel-like object."

The Entry of the Animals into Noah's Ark, 1613.  Oil on panel.
Right beside it is his The Entry of the Animals into Noah's Ark.  Nice painting...
...and you can take it with you as a poster from the museum store.  I did. 

Not many books in English out there on "Velvet Brueghel." 
You might want to get this recent book, Leopoldine Prosperetti's Landscape and Philosophy in the Art of Jan Brueghel the Elder (1568-1625) (Ashgate, 2009).

You may be able to find Gertraude Winkelmann-Rhein's Blumen-Brueghel (Verlag M. Dumot Schauberg, 1968) in its English version, The Paintings and Drawings of Jan "Flower" Bruegel (Abrams, 1969), which is ok.

I would like to have Klaus Ertz's Jan Brueghel D.A.: Die Gemalde (Dumont, 1979) or his/Christa Nitze-Ertz's four volume Jan Brueghel der Altere: Die Gemalde (Luca Verlag Lingen, 2008).

Other interesting titles found online:
Jan Brueghel the Elder:
Fritz Baumgart/Blumen Brueghel (Dumont, 1978)
Jan Brueghel the Elder (Brod Gallery, 1979)
Klaus Ertz/Pieter Brueghel der Jungere-Jan Brueghel der Altere: Flamische Malerei um 1600: Tradition und Fortschritt (Luca Verlag, 1997)
Klaus Ertz/Pieter Brueghel Le Jeune-Jan Brueghel l'Ancien: Une Famille des Peintres Flamandes vers 1600 (Koninklijk Museum voor Schone Kunsten, 1998)
Arianne Faber Kolb/Jan Brueghel the Elder: The Entry of the Animals into Noah's Ark (Getty Trust Publications, 2005)
Anne Woollett et al./Rubens and Brueghel: A Working Friendship (Getty Trust Publications, 2006)
Emile Michel, Victoria Charles/The Brueghels (Parkstone Press, 2007)
Jan Brueghel the Elder (Betascript Publishing, 2010)
Frederic P. Miller et al./Jan Brueghel the Elder (Alphascript Publishing, 2010)
related:
Max J. Friedlander/Early Netherlandish Painting: From Van Eyck to Bruegel (Phaidon , 1956), reprinted in two volumes 1969
John Oliver Hand/The Age of Bruegel: Netherlandish Drawings in the Sixteenth Century (National Gallery of Art, 1986)
Walter S. Gibson/Mirror of the Earth: The World Landscape in Sixteenth-Century Flemish Painting (Princeton University Press, 1989)
David Koetser/Fine Old Master Paintings principally of the Dutch and Flemish Schools (David Koetser, 1990)
Meredith Hale et al./Dutch and Flemish Old Master Paintings (Johnny van Haeften, 2002)
Friedrich August von Metzsch/Bild und Botschaft: Biblische Geschichten auf Bildern der Alten Pinakothek Munchen (Schnell und Steiner, 2002)
Konrad Renger, Claudia Denk/Flamische Malerei des Barock (Dumont Buchverlag Gmbh, 2002)
Gordon Campbell/Renaissance Art and Architecture (Oxford University Press, 2004)
Arthur K. Wheelock/Flemish Paintings of the Seventeenth Century (National Gallery, 2005)
Agnes Tieze/Flamische Gemalde im Stadel Museum 1550-1800 (Imhof Verlag, 2009)
Annemarie Stefes/Niederlandische Zeichnungen 1450-1800 (Bohlau-verlag Gmbh, 2011)

And of course, his dad Pieter was not bad ;) hehe.  Pieter Brueghel the Elder is up there with my all-time favorites. 


The Tower of Babel, 1602.  Oil on panel.
Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen
With help from other sources, somewhat obsessively, I went ahead and made a partial alphabetical list of museums with work(s) by Jan Brueghel the Elder:

Asia:
The National Museum of Western Art, Tokyo


Europe:
Albertina, Wien
Alte Galerie Schloss Eggenberg, Universalmuseum Joanneum, Graz-Andritz
Alte Pinokothek, Munchen
Ashmolean Museum of Art and Archaeology University of Oxford, Oxford
Brighton & Hove Museums, England
Galleria degli Uffizi, Firenze
Galleria Palatina, Palazzo Pitti, Firenze
Gemaldegalerie, Staatliche Museen zu Berlin, Berlin
Gemaldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden, Dresden
Glasgow Museums, Glasgow
Groeningemuseum, Brugge
*Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen
*Kunsthaus Zurich, Zurich
*Kunsthistorisches Museum, Wien
Kunstmuseum Basel, Basel
Le Musee d'Art ancien, Musees royaux des Beaux-Arts de Belgique, Bruxelles
LVR-Landesmuseum Bonn, Bonn
?Musee des Augustins, Musee des Beaux-Arts de Toulouse, Toulouse
Musee des Beaux-Arts de Bordeaux, Bordeaux
Musee des Beaux-Arts de Lyon, Lyon
*Museo Nacional del Prado, Madrid
Museo Thyssen-Bornemisza, Madrid
Museumslandschaft Hessen Kassel, Kassel
Muzeul National de Arta al Romaniei, Bucuresti
Muzeum Narodowe w Warszawie, Warszawa
Palazzo Doria Pamphilj, Roma
Pinacoteca, Biblioteca Ambrosiana, Milano
Rijksmuseum, Amsterdam
Rijksmuseum Twenthe, Enschede
Statens Museum for Kunst, Kobenhavn
The Courtauld Gallery, London
The Ftizwilliam Museum, Cambridge
The National Gallery, London
The Pushkin Museum of Fine Arts, Moskva
*The Royal Collection, UK
The State Hermitage Museum, Sankt-Peterburg
Szepmuveszeti Muzeum, Budapest
Victoria and Albert Museum, London


North America:
Art Gallery of Ontario, Toronto
Art Institute of Chicago, Chicago
Brooklyn Museum of Art, Brooklyn
?Crocker Art Museum, Sacramento
Harvard Art Museums, Cambridge
Indianapolis Museum of Art, Indianapolis
Los Angeles County Museum of Art, Los Angeles
Minneapolis Institute of Arts, Minneapolis
National Gallery of Art, Washington DC
National Gallery of Canada, Ottawa
North Carolina Museum of Art, Raleigh
Norton Simon Museum, Pasadena
Saint Louis Art Museum, St. Louis
The Blanton Museum of Art, The University of Texas at Austin, Austin
The Cleveland Museum of Art, Cleveland
The Metropolitan Museum of Art, NYC
The Walters Art Museum, Baltimore


South America:
Museo Nacional de Bellas Artes, Buenos Aires


*Later, I'll also make a similar museum list for Pieter Brueghel the Elder, and for other favorite Flemish masters.*

Saturday, March 5, 2011

Max Ernst - The Eye of Silence

***Ya know, I like sharing information and interests, but a blog is a good way to create a database of favorite artists and their works.***


The Eye of Silence, 1943-44.  Oil on canvas.
Mildred Lane Kemper Art Museum, St. Louis
For some reason, this is my favorite painting by perhaps my favorite surrealist artist, Max Ernst.  Incidentally, I spent part of my childhood in St. Louis, and I'm glad it's home to the painting. 
Eye enclosing the theatre at Besancon, c. 1800.
Bibliotheque des Arts Decoratifs, Paris
With devastation, it's uncertain if there is sublimation or if there is schizophrenia of the public panopticon of Ledoux's eye, or both, or a glance from primordiality. 

Europe After the Rain, 1940-42.  Oil on canvas.
Wadsworth Atheneum Museum of Art, Hartford, CT
It has similaries to another favorite, both works made through decalcomania.
Somewhat relatedly, I highly recommend getting Werner Spies: The Eye and the Word: Collected Writings on Art and Literature, The Gagosian Edition (Abrams, 2011), 10 volumes slipcased in a design by Andreas Gursky.  Spies, former director of Musee nationale d'art moderne, Centre Pompidou, is the preeminent scholar of Max Ernst.  An appreciation of Ernst is not yet complete without Spies' books.  Do find and get them because they're becoming increasingly rare, and mint copies of older ones no longer exist.  My favorite is Max Ernst Collages: The Invention of the Surrealist Universe (Abrams, 1991).  Others are:

Max Ernst (Abrams, 1968)
Max Ernst 1950-1970: The Return of La Belle Jardiniere (Abrams, 1971)
Max Ernst-Loplop: The Artist in the Third Person (George Braziller, 1983)
Max Ernst Frottages (Thames & Hudson, 1986)
Max Ernst: A Retrospective (Prestel, 1991)
Max Ernst: Dada and the Dawn of Surrealism (Prestel, 1993)
Max Ernst: A Retrospective (Yale University Press, 2005)
Max Ernst: Life and Work (Thames & Hudson, 2006)
Max Ernst: Dream and Revolution (Hatje Cantz, 2009)

Mahmoud Farshchian

The Hunt
A detail of this painting was featured in Daily Deviations some months ago.  Until then, I hadn't encountered the wonderful works of Mahmoud Farshchian, though he's recognized as a modern master of Persian painting. 

The Guarantor of the Gazelle
The Ashura
The Distant Drummer, Rumi
The great tradition of Persian miniature painting is reinvented by Farshchian.  There's infinite effervescence as well as exquisite detail in his works that even surpass the Limbourg brothers' illuminations notably in Tres Riches Heures du Duc de Berry, graceful with superb composition and color.  One is also reminded of Chan painting and Russian Palekh, and even Delacroix.  I particularly admire the way he depicts vapor, and the way it suggests aesthetic, affective, and existential understanding.  The visions of a mystical dreamer are also somehow our pondering deja vu.

More images and info at above websites.